After moving into the quiet town of Hinamizawa, Maebara Keiichi spends his days blissfully in school often playing games with his local friends. However, appearances can be deceiving. One fateful day, Keiichi stumbles upon news of a murder that had occurred in Hinamizawa. From this point on, horrific events unfold in front of Keiichi, as he soon learns his close friends may not be all that they seem.

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Bestselling New York novelist Henry Jenkins (Richard Burgi) is not a man of many words. He drinks his tea and enjoys his toast, and walks no more than four blocks to seventh street to Lizzy's coffee shop, where he sits three seats away from the door. Henry has finished the final draft in his penultimate novel in the "Blood Asp" series, which have won him multiple awards over the years. Lizzy Garland (Heather Snell), on the other hand, is a woman of many words. She keeps her customers coming back with her warm spirit and inviting conversation. Henry stays for the tea, and because it takes his mind off certain things.... But he has a plan, and a machine, which if things go well, he will get them back, and will remember how they smiled...

Set in the inner sanctum of an evangelical megachurch run by the wealthy Quinn family, when their charismatic founder announces a US expansion, the collision between faith and ambition threatens to tear his family and church apart.

The rumored daughter of Sarah Good, the first witch to be tried and hung during the Salem Witch trials, lives and commands the spirit world at her fingertips. Irene, as she is known, must sacrifice the lives of a small group of youths every 30 years for preserving her own youthful appearance, powers and prosperity. On this day, Irene sets the bait for Dalton, an unassuming young man looking for closure in his brother's accidental death. She promises Dalton the allure of reconnecting with his deceased sibling while suggesting he bring his friends along for the show. Sam, Dalton's closest friend, ignores the warning signs, tags along for the ride and finds herself the only person left alive after a night of gruesome events.

New kid Keiichi Maebara is settling into his new home of peaceful Hinamizawa village. Making quick friends with the girls from his school, he's arrived in time for the big festival of the year. But something about this isolated town seems "off," and his feelings of dread continue to grow. With a gnawing fear that he's right, what dark secrets could this small community be hiding?

Higurashi Outbreak is set in the same Hinamizawa village of the previous stories. The village has been completely sealed off due to a mysterious virus in 1983, and Keiichi Maebara and Rena Ryūgū deal with the outbreak. But this time, they don't know if its Oyashiro-sama's curse or a conspiracy. It is also shown that Rika might be infected by the virus. Not much is known about the story yet, but in an interview the makers of the OVA revealed that the ending will differ from the original story.

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

Pelourinho: They Don’t Really Care About Us (2019) is freely inspired by a letter in 1927 from Pan Africanist W.E.B. Du Bois to the American embassy in Brazil, this colorful film explores how it was impossible for African Americans to travel to Brazil through a series of vignettes and reminds us of the inequality still faced by that country’s black inhabitants. 　　"The starting point for this colourful film is a letter from human rights activist W.E.B. Du Bois to the American embassy in Brazil. The fact that in 1927 it was impossible for African Americans to travel to Brazil reminds us of the inequality still faced by that country’s black inhabitants." -- IFFR 　　Produced by Obibini Pictures LLC 　　Directed by Akosua Adoma Owusu 　　Cinematography by Akosua Adoma Owusu 　　Voice Over: Lais Machado & Augusto Soledade 　　Edited by Dylan Bowman 　　Sound Design & Mix: Kari Rae Seekins

蜜雪兒的四位閨蜜們到山中小屋來找她，許久不見的她們無酒不歡。夜晚降臨，蜜雪兒準備了一個神祕的遊戲：碟仙。沒想到此舉竟引來從前在小屋被燒死的怨靈，姊妹們一個個被附身後開始自相殘殺，剩下的人該怎麼從這裡逃脫呢？